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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 




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Hapticity: A Theory of Touch and Identity, Installation View




 
 
 
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Youngsook Choi, Factory Girl, 2011
Dimension variable
silk print with a mirror ball and uplight fitting




 
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Anya Paintsil, Shut it please, 2021
50 x 48 inches
acrylic, wool, alpaca and synthetic hair on hessian




 
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Michaela Yearwood-Dan, My little lady, 2020
64 x 27 cm
acrylic on clay




 
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The Gee’s Bend Quiltmakers (Loretta Pettway Bennett), Human's Jeans, 2019-20
190.5 x 170.2 cm
denim




 
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Renee So, Woman X, 2021
60 x 37 x 26 cm
black stoneware




 
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Cristina Tufiño, Saint Adelaide Patron Saint of Sex Workers and Freer of Those in Psychological Bondage, 2018
35.56 x 22.86 cm
ceramic, underglaze, cold finish




 
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Althea McNish, Golden Harvest, 1959
165 x 120cm
hand screen printed cotton satin




 
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Michaela Yearwood-Dan, Don't be blue little love, 2020
29 x 21 cm
acrylic on clay




 
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Enam Gbewonyo, What Lies Beneath - Empire's dark history revealed, 2021
60 x 63 cm
used tights, yarn, cotton and recycled PET thread




 
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Basil Kincaid, Quilt: A Dance to Summon Spring, 2019
70 x 45 x 8 in
cotton, velvet, quilted cotton, felt, wool, corduroy, cotton thread on wall




 
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Emily Moore, After 2021, 2021
98 x 72cm
crochet, yarn




 
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Eric N. Mack, Supreme, Knowledge, Affirmatives, 2017
185 x 116 x 63 cm
dye on cotton with aluminium armature